bellydance – Page 7 – a t i s h e h

Holiday 2011 Bellydance Steals and Deals

What with the Black Friday/Cyber Monday/Commercial Craziness lately, I thought I would round up a few of the online sales that would be interesting to bellydancers. I’m including costuming! Many of them seem to be going beyond this weekend, so this post should be useful for a few months!

Updated: Ocean State Media has some good deals on their new website — varying percentages off of videos. (Link goes directly to their dance videos.) Until December 31st, use coupon code 104CH for 10% off!

New: Leyla Lanty is offering a holiday combo special: her DVD “Habibi, You Are My… WHAT?! Leyla Lanty’s Essential Arabic for Dancers Vol 1” plus her Egyptian dance music CD “Golden Days Enchanting Nights,” for $23 including shipping to US or Canada. (Usually $28). Email her at leyla – at – leylalanty.com for details.

Hollywood Music Center has had a sale for a while: Middle Eastern CDs for $5 and DVDs for $10 each. Seems particularly good if you’re interested in folkloric stuff.

BellyDanceShoppe has a Cyber Monday sale just today: 15% off with the code Cyber.

Dahlal Internationale has a 25% off sale, but for the life of me I can’t make it work!

SharifWear has a second item at 50% off sale, with free shipping for orders over $100 for Cyber Monday.

Dancers Warehouse offers 10% off with the code HOLIDAY10, and they’ll ship for free on orders over $75 with the code FREESHIP.

World Dance New York has had special pricing on their website for a while: 15% discount for orders of more than one DVD, and free shipping to US addresses.

I’ll be updating this list as I learn more — if you know of any sales, please include them in comments. I have ordered from (and been happy with) Hollywood Music Center, World Dance New York, and Ocean State Media. I can’t vouch for any of the other merchants.

Review of Naia’s Bellydance Prenatal Fitness

I recently worked with Naia’s Bellydance Prenatal Fitness for the first time, and can report the following: this is a useful little workout if you are pregnant, tired, but want to move a little anyway. It is not strenuous in the slightest, which could be good or bad depending on your point of view.

Naia grooves to pregnancy

If you are a pregnant lady who has done years of bellydance and wants to keep running marathons in the third trimester, you will probably not get much out this program. Just avoid it and avoid the disappointment. However, if you are a pregnant lady who hasn’t been sleeping well, or who has a bit of back or knee pain, or who just does not want to commit to an hour-long workout that day, this is very good. I’m only in the second trimester and generally feel pretty energetic, but I expect this will only come in more handy as I get further along. I also think it could be useful outside of pregnancy on days I’m lazy, want a simple 30 minutes of dancing around, or when I’m suffering from mild back pain and don’t want to take chances with a more aggressive workout.

Now to the program: it is divided into five sections, a warmup, lower and upper body, travel steps, and a bit of dance. The bellydance moves are quite basic, though I did find myself a bit confused in the travel steps section. (This is not my strong suit, so I would have liked a little slower instruction here — but it’s also something to grow into.) There’s quite a bit of emphasis on stretching, which felt very good. And there was precious little of the “think about the miracle of life growing inside of you” kind of talk which I have found in other prenatal videos, and which, frankly, drives me up the wall. (I’m not dancing for my fetus, I’m dancing for myself. My fetus can learn to dance once it comes into the world and has mastered the whole walking thing.)

I corresponded a bit with Neon, who conceived and designed the video (and, full disclosure, sent me a review copy from WDNY). She did quite a bit of research on pregnancy and labour to create this program. I’m not a medical expert, but I can confirm that there is nothing in this video that feels extreme or like it would put undue pressure on any part of the body. And given that everything I’ve read about prenatal exercise advises women to perform moves that bellydance incorporates anyway, I’d rather just do something that’s like dance than a dozen boring pelvic tilts.

Returning to Bellydance Arms & Posture

Today, in an attempt to begin my resolution (actually made after I finished this video), I worked again with Rachel Brice’s Bellydance Arms & Posture.

I did it, in short, because of pain. Shoulder pain. Upper back pain. Stiff neck. I have a great DVD for yoga-based shoulder work by Jill Miller, and it really is great, but I wanted a bit of dance too. Just in case you’re wondering how bad my shoulders are: there is enough loud cracking in my upper back every time I roll my shoulders that I know whether I’m keeping time with the music or not. (I know: you really needed to know that.)

Rachel Brice performing shoulder exercises

The rope pulling exercise

On the one hand, I was stiff, my shoulders were weak, and I still see no point in the knee-hurting level changes she covers that have nothing to do with the rest of the workout. On the other hand, I was much more inspired by Bellydance Arms & Posture this time around. Although Brice doesn’t have you do a lot on posture per se, working so much on the shoulders just has that effect. The practice periods for moves like sidewinder are long enough to actually *get* it. And there’s a cute little combination at the end that, done enough times, is something you can adapt to other kinds of dance.

I also really appreciated the soothing, yoga-based warmup and cool down. The video is a cohesive unit, and if it’s not as comprehensive a source for arm work as dancers might want, it’s easy to commit to fifty minutes and just do it. And the neck stretches — Brice didn’t forget the neck stretches! Bless her.

After it was over, and to my surprise, I found myself just dancing. For some reason, loosening up the shoulder area (and live dance teachers are always telling me to keep my shoulders down) was strangely liberating for the rest of my body. Wonderful!

Working with Love Potion: The Bellydance Workout – Day 1, Tutorial

I’m always inspired by the way Mala works systematically with a DVD. I tend not to be like that. I’m more of a butterfly — I see something interesting, I do it once, and then forget it on the shelf for a while. But I wanted to get back into dance, and I wanted to see what it might be like to do the same program, whether a workout, a choreography, or some mixture of both, repeatedly over a few days. Would I notice an improvement?

The perfect candidate for this experiment seemed to be Love Potion: The Bellydance Workout. Like other recent offerings from World Dance New York, it has an insane amount of material, a full 140 minutes of it. The DVD case advertises a 50 minute instructional section for beginners, which intersperses guidance on movements with segments of flow, a 5o minute practice flow, and the workout itself, which is 40 minutes long. I thought I’d commit to three days, and do one section on each day, progressing in difficulty as I go.

Sounds easy enough, and after watching the intro, I got ready to dance. What I didn’t realise was that the 50 minute instructional section is not actually 50 minutes long. It’s over an hour and a half. I suspect they mean that the instruction itself is 50 minutes long, if you put it all together, but there are enough segments from the flow section that doing the whole thing takes a long, long time. In a way, I’m glad I didn’t know what I was getting into, or I might have been too lazy to start!
A couple of observations on this first day: the moves are quite basic, but putting them together in combinations, with footwork, armwork, and all at full speed, is not so basic. It kind of reminds you how much bellydance can do with just a few simple movements. The footwork is covered quickly, but it would be worth learning well. I love, as usual, Neon’s gentle accent and the way she explains the principles behind movements. I also love that she gives pointers on head position and hand accents. This kind of attention to finesse has been a real focus in WDNY videos lately, and it’s most welcome. Also, in her introduction to Love Potion, Neon advises experienced dancers not to skip over slow movements, and she’s right: these are truly difficult to do smoothly.

Oh yeah, and I really need to work on my three-quarter shimmies.

After an hour and a half, I had to do some serious stretching. I can feel all my abdominal and back muscles (in a good way), to say nothing of my arms and shoulders. At one point during the instruction, my arms were really tired and drooping, and I felt that I must be really out of shape. I now realize this was probably after 80 minutes of keeping my arms up! Neon says in the introduction that this is not meant to be an aerobic workout, but a muscular one. This is truth in advertising — this is probably not the best way to spend your time if your goal is to lose weight, but a great way to practice sharp or gooey movements, footwork, coordination, grace, and musicality.

Full disclosure: I received a review copy of this DVD from World Dance New York.

Review: Rania’s Belly Abs

Belly Abs is a great little video if you know what you’re getting. If you have some bellydance experience (from class or videos), if you already know proper dance posture and how to protect your back and knees when exercising, and want a quick dance-based workout that will drill combinations and target your abs, then this video will be perfect for you. The moves really do work the abdominals — you will feel it! — and a few sets of crunches add a little more exertion. The combinations are fun, fast, reasonably complex, and quite “dancey.” I could imagine using any of them, as is, while dancing to music. That said, they become increasingly difficult as the video progresses, so there’s some room to grow into the program. And the entire workout clocks in at 33 minutes, which is great if you want a quick burn and sweat.

If you have no bellydance experience, this is not the video for you unless you are gifted at picking up dance moves. Rania does break things down quickly during the video, but it’s really more as a reminder. Although she provides a small bonus segment called “ABCs of Bellydance,” this is really just an overview of the dance in general. There is no posture instruction. During the actual workout, she assumes you know how to tuck your abs, do mayas and camels, shimmy, and even suggests optional layering of shimmies.

The set is pretty but not distracting, the production values are professional, and the music is a steady but unobtrusive Middle Eastern beat. Rania herself is not the perky cheerleader type of instructor. She’s calm, funny, and seems relaxed and natural in this video (much more so than in her Natural Journeys videos). One small fault is that she uses the words “left” and “right” to refer to her left and right, so you have to adjust if you like to mirror the instructor. In addition, it’s not clear from the DVD copy that it’s not at all for beginners. However, the program is good value for the money, and really is intensely targeted on the abdominals.

Review: Michelle Joyce’s Drills! Drills! Drills!

First things first. Drills! Drills! Drills! is not a DVD for people who have not learned the basic posture, movements and isolations of bellydance. If this describes you, go directly to a beginner’s video, do not pass GO, do not collect $200.

The drills Michelle offers here are, for the most part, not strenuous, but you do need to have ingrained at least some basic bellydance movements to the point where you can do them without thinking: shimmies and hip bumps should be second nature.

The second key point is that the movements are, in general, geared towards helping you define your isolations, layer movements, and even use different parts of your body at different rhythms. Michelle points out several times that you may not like the moves you’re drilling, and you may not want to use them in a choreography, but that they’re helping you build dance skills.

That said, if you *do* have bellydance experience, and you’re looking for a video which will help you train for bellydance (or get some light exercise) in a “dancey” way, this is it. The video begins with a few strengthening exercises for the quads and abs, and then moves on to a seemingly endless series of varied drills. There are drills which will have you practicing your isolations with different foot and arm positions, drills done while dancing a grapevine, drills where you do a zig zag shape with your hips, pelvis and chest.

I loved the variety. The drills are well-thought out and clearly organized, but they don’t follow the same pattern. This required me to use both my body and my mind in different ways, and kept the movements from being dull. I loved the fact that Michelle puts in little reminders about proper form as you’re doing it. There isn’t a lot of arm work, but there’s definitely greater use of the lower abdominals than I’ve seen in other videos.

If you’re like me, you will find that some things come easily to you, some take a while to click, and some things seem impossibly hard at the first go. This is absolutely a DVD to grow into. At nearly two hours of running time, there’s a wealth of material, and you can always do only one part of a layering drill if you’re not at Michelle’s level yet. After the section on finger cymbals, the drills are also done with zill accompaniment — this was impossible for me, but it was a great chance to repeat the drill I had just done.

Most importantly, the program was fun, despite its slightly military name! The section on 3/4 shimmies is a lot looser than the early drill sections, and I found myself improvising to the beat. In other words, the drills started to become dance. My advice to dancers using this program is add your own warm-up and cool-down, but also to put on a song or two of music you really like after you’re done drilling and just let go. You may just find your body reacting to the music much more readily than before, and with a greater variety of movements.

(Full disclosure: I received the DVD through one of Michelle’s generous giveaways on the bellydancevideos yahoo group.)

Review: Neon’s Luscious: The Bellydance Workout for Beginners

Did we really need another bellydance-based workout? I wouldn’t have thought so, but Neon, as usual, has gone and proven my expectations wrong.

Luscious – The Bellydance Workout for Beginners is an exquisitely made program, with more good qualities than I can enumerate. The costumes and setting are gorgeous — nothing like the typical brightly-lit aerobics studio — and Neon advises you at the beginning to dress up for it and join the three dancers here in making the movement special. This is the kind of thing that sounds cheesy, but I did it, and it makes sense: how will you forget about bad body image or those extra pounds if you’re wearing ugly workout wear? Dressing up makes you feel like you’re dancing, not punishing yourself.

The instruction itself is taught in sections themed “Circles,” “Infinity Loops,” “Undulations,” “Hip Accents,” “Shimmy,” and “Body Line.” Each dancer leads two of the sections: she stands at the front and her voiceover describes the movements to be done. What I really like about this is that the sections weren’t assigned randomly; instead, each section bears the particular dancer’s imprint, and showcases her strengths. It’s subtle, but you start to notice that Neon leads complicated, quick-changing combinations, Blanca shows her wonderful, large, and sensuous movements, and Sarah Skinner adds an upbeat Turkish feel to the shimmy section. This made the instructors seem much less like exchangeable dancing bodies, and much more like teachers with particular areas of expertise.

On-screen graphics show you the move

The movements are varied, and quite a few combinations are introduced and repeated from two to six times. This is not a “four of this and four of that” drill. In fact, I would suggest that complete beginners start with a different video. This would be great for advanced beginners like me, who are not expert enough for a complicated choreo with tons of layering, but get bored when everything comes in fours and is repeated ad infinitum.

All along, the dancers offer tips on putting emotion into the steps, on maintaining form, and on making movements deeper and stronger. While the dancing is rarely fast-paced, the slowness of the movements is often more challenging and grueling. The workout made me sweat (though it might not make everyone), but more importantly, it challenged me to maintain grace, form, and muscle control while learning the combinations. I couldn’t believe it when the forty-five minutes were over — it felt like fifteen!

If you have weak knees, you might want to be careful with some of the lunges and plies; on the other hand, there aren’t a lot of them, and they’re done slowly enough that you can be careful. I’ll also repeat the warning that this might be a little hard for complete beginners who aren’t already good at picking up choreography. However, the video does have a well-indexed instructional section which describes all the movements used in the workout. As a step up, there’s a version of the workout with music alone, and no voice over.

In case my enthusiasm wasn’t clear enough, I really think WDNY has a winner with this video. It’s simple, but also simple enough to do regularly and to grow into. At the same time, even once you have learned the step combinations, adding graceful arm and handwork (to say nothing of being aware of facial expressions, head positions, and dancer’s poise) poses an extra layer of difficulty. And finally, the movements are, quite simply, beautiful. You will be happy to be dancing.

(Full disclosure: I received a review copy of this video from WDNY.)

Review: Asharah’s Modern Tribal Dance

I need to say to begin with that I’m really not fond of the dancing on Asharah’s Modern Tribal Bellydance. I’m not that crazy about tribal fusion anyway, but I’ve definitely seen tribal fusion I’ve liked a lot more than this.

So, weirdly, as much as I don’t like the dancing here, I think the video itself is pretty well done, and can actually foresee myself using it. The main reason for this is that its “Warmup & Conditioning” section is actually a 45 minute exercise and stretching video for dancers, and it’s pretty much the answer to my dreams. Seriously, I’ve imagined what I’d like in a program (often because of exercises I’ve had in live classes), and this is it.

This section alone could stand alone as a full-priced DVD, and would be worth the money. It’s a combination of movements from three groups: yoga, ballet (i.e., the kind of stretches you have at the start of a ballet/ballet- inspired class), and Suhaila-type seated abdominal and chest work. Nothing terribly new, but having them all together in one place is incredibly cool. There’s deep plie work, thorough leg stretches in every possible direction, the shoulders and neck are not ignored, and neither is the back. Asharah also gives frequent knee placement reminders, so although the practice is challenging, it won’t kill your back or knees.
The next section is a Technique & Isolations section of 55 minutes. In this section, Asharah goes over pretty basic movements in bd/tribal fusion vocabulary, but explains them in detail with the appropriate muscle contractions. She’s very Suhaila-based (and, in fact, thanks Suhaila in the credits). Here she covers:

– Shoulders and arms
– Chest squares
– Chest circles
– Glute contactions
– Glute contactions – up
– Glute contactions – down
– Vertical hip 8s down-to-up
– Vertical hip 8s up-to-down
– 3/4 shimmy up
– 3/4 shimmy down
– interior hip squares
– interior hip circles

These are pretty basic moves (I know the last one as an “omi”), but it’s good to have the breakdown and practice, especially for those of us who are far from being experts anyway.

Next comes the “Modern Tribal Movement” section (30 min), in which Asharah teaches how to break down a single movement into three or four smaller segments, so as to achieve a strobing or robotic effect. She does this with: shoulders & arms, chest slides, chest locks, undulations, and vertical hip 8s up-to-down. I haven’t watched this section all the way through, and like I said, I don’t really like how the result looks in dance, but it did strike me that some of the exercises were similar in concept to those on Aziza’s Pratice Companion. So, weirdly, although I don’t want to dance like Asharah, I can imagine using this section as a drill and exercise tool.

Finally, there is Combination instruction of 30 min, which you can also play with practice music. And an 8 min yoga-based cool-down. And performances.

I suppose it figures that if you put three freakin’ hours of material onto one DVD (runtime is 180 minutes, no joke), you’re going to please a lot of people. Asharah is relaxed and straightforward on the video, and there is really just so much material to work with, at such different levels, that it’s an incredible value. I think people who are actually *into* tribal fusion will probably adore this video, although they might find the isolations section a little basic. However, even people who are not can use this DVD as a dance training video, rather than a dance instruction video. The actual dance section makes up 30 minutes out of 3 hours — the rest is really a conditioning program for dancers.

(Full disclosure: I received a review copy of this video from WDNY.)

Review: Shamira’s Bellydancing: The Sensuous Workout

Bellydancing: The Sensuous Workout is wonderful, if you know what to expect from it. It’s not super long (46 min), and it won’t fulfill every desire, but it does what it does very well.

This is one fierce costume, if I do say so

Let me start with the negatives, and save people some money. Do not get this video if you want:

– A high intensity workout. It’s not, it’s just not. I do break a sweat sometimes, especially if I try to follow along with her arms, but you won’t feel challenged if you dance regularly.
– Thorough bellydance instruction. It really helps knowing the moves before, though she does introduce them in the “Basic Movements” section. I advise using this after another video, even after her Sensuous Workout 2.
– Lots of bellydance moves, complex technique.
– Shimmy work. Her shimmy section is very short. The video is much better on circles, hipwork, traveling steps and turns.
– Finally, and this is the reason I took off a point, while there is a warmup, it’s short (no neck stretches, for example), and there’s no cooldown. So you have to add to that on your own. Also, I really think every bellydance video should go over posture, just as a matter of course.

However, this video is fantastic if you want:

– A light, not too strenuous way to get moving and have fun. It might be a good way to start an exercise program, or to get moving if you’ve been sick or not dancing for a while. I have much fancier bellydance videos in my collection, but since dancing is my hobby, not my life, I wind up playing this one much more than I ever expected to. It’s just great when you’re not that energetic, you don’t want to strain your back or knees, but you want to get moving and feel the spirit of the dance.
– A sense of the grace and beauty of bellydance. Shamira’s style is not to string together a hundred movements in ten seconds, so if that’s what impresses you, get something else. She uses a few movements (especially in this video), but she puts them together in a lovely way, and gives you a sense of how you might make combinations out of them.
– Easy traveling and stationary combinations. It’s nice practice.
– Incredible hands and arms. It’s funny: to me, the loveliest part about Shamira’s dancing are her hands and arms, but she doesn’t really talk about them on the two Sensuous Workout videos too much. If you’ve got the steps of the video down, try following along with the arms — it makes it much more challenging, and gives the video the potential to be used for a longer time.

To conclude, Shamira’s dancing, even in this “workout” DVD, represents to me much of the reason I first got into bellydancing. She’s graceful, expressive, and playful. I think even dancers who know many more moves than are represented on this DVD can stand to learn a lot from her, if they pay attention.

Review: Aziza’s Ultimate Bellydance Pratice Companion

Aziza’s Ultimate Bellydance Pratice Companion is like nothing else. A self-contained, intense bellydance drill practice and workout, it will make you want to throw all your other dance and exercise DVDs in the closet and just do this everyday. No, really.

She’s as happy as I will be

First, the basics: the setting is a staged workshop, and you see Aziza over the heads of the participants, as it were. There are online clips of the video in which it seems as though Aziza might be hard to see — expanded on the larger screen, this is never the case. Aziza mirrors you, calling left as she moves right. The student dancers are a nice effect: while they are skilled enough to keep up with Aziza, they still need her encouragement and correction now and then.

The practice is composed of 6 sections: a warm-up, ribcage drills, hip drills, arm practice, an insanely lengthy, never-give-up, shimmy drill, and finally, a cool down.

The warm-up is thorough, involves a lot of breathing, parallel-foot plies, gentle head movements, bends and arm work, and really does get you ready to practice. (To give you a sense of it, Ava Fleming suggests you do this warmup before using her own DVDs, so it’s a keeper.) Posture is covered in detail, but relatively quickly. To jump to the end, the cool-down is even better, involving good leg and back stretches to stretch out the muscles you’ve just used. Aziza gives posture reminders throughout the program, and is careful to guide your knee placement and to encourage gentle movement of the head for safe exercise.

The ribcage and hip sections include what I find a very fun drill which involves moving the body part in question in six different directions, in a variety of different ways. You really have to use both your back muscles and (especially) your abdominal muscles to keep your posture and do the movement.

The arm section consists of a series of port-de-bras combinations. While still valuable, the arm section is the least unique and innovative part of the DVD. It does, however, have an exercise for learning to move your hands slowly while moving another part of your body quickly. I could imagine this being useful for flamenco dancers as well.

And then there’s the shimmy drill. Imagine shimmying. Now imaging shimmying some more. Now imagine doing all sorts of movements with your arms, head, and torso while you shimmy. Now imagine making all sorts of shapes with your hips while you shimmy. Now choo-choo shimmy. Now shoulder shimmy. Oh, now back to normal shimmying, with increased force! Now repeat all the exercises from the ribcage and hip sections while shimmying. After enough time, if you just keep on going, your body enters this zen space where all it knows how to do is shimmy: that’s where you start being able to layer things, and you almost don’t mind. You think it’s about to be over, and then Aziza makes you write the alphabet horizontally with your hips (while shimmying). And then vertically with your ribcage. And then you shimmy some more. And at the end, you find out you were shimmying for twenty minutes, and you can’t believe it, because you know you never would even have attempted such a thing if you knew what was in store for you.

In case I haven’t made it clear enough, this video is a gem: so is Aziza. She has charm and a sense of humour, and a kind of sadistic gleam in her eye when she’s promised one more repetition and says, “I lied! Another one on your right.” The two performances at the end are just the kind of flirtatious, playful Egyptian style bellydance I love, and it occurred to me as I watched them that trying to imitate those dances would be an entire other workshop! However, this video would really be good for anyone working on their drills, and Aziza’s focus on driving the movements with muscles would probably sit well with many tribal or fusion dancers.

After such a glowing review, I almost feel it necessary to say that I don’t know Aziza at all. I just think that this video has so much to give to so many different kinds of dancers that it’s an unregrettable buy. I tried for a long time to find it used, and now I know why I couldn’t: this isn’t something you let go.